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This is another belated IPcopy report of a recent CIPA UPC seminar. This webinar looked at the issue of Infringement and Validity Opinions in the European patent landscape when (if?) the unitary patent scheme comes into effect.
Currently of course providing a pan European I&V opinion means that a bundle of EP patents need to be considered and requires the assessment of different infringement and validity laws in different countries. The seminar, run by Leythem Wall of Finnegan, asked whether UK EPAs* will be able to provide a pan European infringement and validity opinion once the Unified Patent Court opens its doors. (more…)
Proponents of the unitary patent package have talked long and hard about the benefits they hope it will bring for patentees. The advantages that have been discussed so far have been primarily financial, the grand plan being that reduced translation requirements, a single renewal fee and central litigation will all lead to lower costs in obtaining, maintaining and enforcing your patent.
The ins and outs these financial advantageous, and the wry eyebrows being raised by IP professionals across Europe by way of response, could make for a very long blog post indeed, and we won’t be tackling this one today.
Instead, we have been considering whether the unitary patent might offer an advantage in terms of the actual scope of protection that it provides, specifically with regard to contributory infringement.
The Hobbit studios Warner Bros., New Line Cinema, MGM and producer Saul Zaentz have moved to block the further circulation of Global Asylum’s recently-released Age of the Hobbits film by filing a lawsuit in the U.S. District Court.
Despite including a disclaimer within the strapline of its film (“They’re not Tolkien’s Hobbits… They’re Real”), Asylum have been accused of “…promoting and advertising its low-budget film using the confusingly similar and misleading title Age of the Hobbits, in an intentional and willful attempt (i) to trade on the popularity and goodwill associated with the Tolkien novels, the extraordinarily successful Lord of The Rings film trilogy, and the famous HOBBIT mark, (ii) to free-ride on the worldwide advertising campaign in connection with the forthcoming Hobbit films, and (iii) to divert customers and potential customers away from the Hobbit films”.